We feel strongly about helping to protect the art of the backstrap loom and supporting the continuation of weaving this way. Archaeological findings suggest that the backstrap loom in Mesoamerica dates back to at least 1500 B.C. and has been an integral part of local cultural traditions. Apart from its aesthetic value, textile art is also a way to tell stories and preserve history. The only way the beautiful Mayan textile art can continue and evolve with time is if people know how to assemble and work the loom. Pictured: traditional huipils from Nahuala and Nebaj
The backstrap loom, or telar de cintura as it is called locally, is a simple set of several wooden sticks and a strap that is secured around the back. It attaches to a tree, a hook on the ceiling or a door and is fully portable. The complexity of the loom lies in its assembly and can take a few hours before the weaver can begin weaving. This type of weaving is not unique to Guatemala, however, it is one of the very few places left on earth where it is sustained and practiced at such scale.
The main design of the textile is determined in the casting of the threads on a special warper, urdidora, so this can sometimes take the whole day for the weaver to finish. Afterwards the design is set up on the loom and the work can commence.
Creating one of our pieces is a meticulous process, typically taking anywhere from one week to a month to finalise. Weaving is labor-intensive, demanding at least 25 hours to complete the panels for our small kaftan. After weaving, artisans dedicate more time to embroidering, stitching, crocheting, and sewing, with the duration varying based on the intricacy of the design. This stands in stark contrast to the rapid pace of fast fashion, where garments are often produced in mere minutes. Each Atitlan Studios piece is crafted with love and care, ensuring a luxurious and unique creation.
